Highly-saturated color field paintings engage the viewer to interact with the work, deciphering the familiar (yet unspecified) landscape. I was raised in the Northwest and one can easily catch glimpses of the misty Cascade environment in my work. I begin first with a location then make a conscious effort to slow down and reveal each setting through my blurred lens. Using oil paint, walnut oil and mongoose brushes, each painting is softer than one would imagine possible having been created with a brush.
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